David Chalmers Alesworth Pakistan

poster

Joank (Leech/Slug)

The sahib and the housekeeper... his worst Urdu and his poor English.

LOWMEDHIGH

The artist and his housekeeper meet in the vegetable garden to try and discuss the problems of some equally displaced Italian tomatoes. David in his worst Urdu and Jahangir in his poor English.

Direction:
David Alesworth
 
Camera:
Huma Mulji
 
Edit:
David Alesworth, Sajjad Ahmed
 
Performers:
Mohammed Jahanghir, David Alesworth
 

David Chalmers Alesworth



David Alesworth

The turning point in David Alesworth's artistic career was his relocation to Pakistan from England in 1987. Having previously studied at the Wimbledon School of Art he subsequently won the Picker Fellowship at Kingston University and then took up a teaching assignment at Glasgow School of Art. His encounter with Pakistani culture in the early eighties opened up his practice to a range of new materials and an entirely new aesthetic sense based on the decorative flourishes of the urban bazaars.

His central themes of environmental degradation and nuclear proliferation informed such whimsical yet lyrical works as Two Bombs Kiss (1993) and resonate throughout a career that keeps stylistically reinventing itself. Working with truck artists in the mid to late nineties, Alesworth was involved in producing a number of highly acclaimed installations, conceived in collaboration with Durriya Kazi. These generated substantial interest at local and international showings, and influenced an entire generation of artists to focus their attention on the cultural politics and aesthetics of cinema hoardings, truck art, bazaar artefacts, and commercial sign paintings.